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TENANTS
April 2025 • Linocut on Japanese paper, Hanji paper, paste paper, binders board, 6 x 6.5 x 46"
Tenants is a handprinted edition of linocuts on Japanese paper. The covers are wrapped in artist-made paste paper in varied colours and patterns. The end leaves are laser printed on Korean Hanji paper.
Tenants speculates on the inhabitancy of buildings designated for destruction. An empty apartment building is re-occupied by the indigenous wildlife, human absence making way for their explorations of the dark building.
IMAGINING THE MACHINE THAT WILL LEAD ME TO SALT
April 2024 • 16 pages, handset type, illustrated with ten woodcuts. Case bound with stamped cover and custom end leaves.
The poem the book revolves around is an autobiographical speculative fiction in the ecological sci-ci horror genre. It envisions a future based on the reality of my past queer, artistic, and medical histories. It considers the way that these histories get stifled, and the possibilities for freedom in a watery afterlife. It reflects on the effects of natural and machine environments on the body, and vice-versa: the effects of a polluted body on place. The design of the book mirrors the blue depths of the ocean, the silver of futuristic machines, and the red of sudden death.
MULTIPLE THINGS [TRUE ONCE]
[THINGS] CAN BE TRUE
AT ONCE [MULTIPLE THINGS]
December 2023 • Paper, string, conte, marker, staples, board
A construction of a safety blanket, an operating table, data organization...
Thoughts on gender-affirming top surgery organized in a way inspired by quilting and the Jaquard loom origins of punch cards, which were later used to make logorithmic tables. Information on each page relates to other pages, and can be read and refolded in any number of directions.
INTIMACY AND INTERNALISATION: LIQUID AND SHADOW
March 2023 • 5.5 x 8 inches • Velour, paper, yarn, beads, thread, stickers, reversible sequins, window clings, metal clasps, earrings
Intimacy and Internalization requires the reader to touch the pages to reveal more words and images. Opening and revealing each section of the book is a playful experience that relates to the assumptions, attachments, archetypes, and gestures about romantic intimacy referenced in the text. As the book is flipped through and the sections are opened and resealed, it will gradually become more worn or damaged: the more it is touched, the more it gets destroyed. The intention for touch is also an intention for understanding that there are different kinds of touch, just as there are different kinds of love, and that it is not always beneficial to seek it out.
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